Wednesday, February 15, 2012

Writers Websites Wednesday - The Writer's Resource Directory

The Writer's Resource Directory is just that ~ a resource.  Now I'm not going to say it offers everything, but it does offer a bit of everything.  Information on writing, conferences, associations, articles, agents and more.  Definitely a Resource worth exploring.

Tuesday, February 14, 2012

The Writer's Path - Help & Resources


 
As writers our strengths and weaknesses are many.  We tend to put on a good show in an effort to let the world know we're ready for anything (whether we actually are or not).  We all learn a lot along our writing path and as a result tend to think we know a lot, our learning process having created an aura of blissful ignorance about just how much we do know.  Until one day, comes the realization that we actually have a huge amount that we don't know. 

That's the dark, scary place to be.

You might feel frustrated, angered, shocked, even feel like giving up writing altogether.  In fact, many do.  And for some that isn't a a bad thing.  If it isn't for you, it simply isn't.  There's nothing bad about that.  In fact it could be  good, discovering what you don't want to do and have no interest in learning. You tried it, you don't like it. Time to move on.

Because, being a writer is a life-long learning experience. If you're in, time to take that next step forward.

How can we turn our weaknesses into strengths?  How can we stare down the dragon and continue on that writing path?

All right, we all want to minimize our weaknesses, perhaps to not even admit them to ourselves, but that's not the way to move forward. Drag it out, examine it, learn from it and keep moving forward. There are lots of places to ask for help and/or to seek it out.

There are two distinctive types of writers (there are undoubtedly more nuances and sub groups, but two main groups).  There are those who are very solitary and those who can benefit greatly from interaction with other writers.  I don't know which you are, but you do.

If you can benefit from critique groups, writer's groups, if exchanging ideas with other writers and hearing their criticisms of your work is something that will help you, then seek them out. 

There are many online. You can check out Absolute Write  or Backspace or Critique Circle try Ladies Who Critique to find a partner, or google up some more.  Or, if you're more of a face-to-face, hands-on sort, you might try to track down a local writer's group who meet on a regular basis giving you 'deadlines' by which you read others' works and they read yours.  Check library bulletin boards, the local paper, groups like women's clubs, etc.

The more introverted writer may do better with an online group or not at all.  Your choice.

Reading can be a great help to the new or aspiring writer as well as the established professional.  There are lots and lots of articles out there, newsletters too where you can pick up tips on strong writing techniques.  You can visit my little bookstore that grows nearly daily as I find great books and other materials on writing for writers at Writer's Emporium   Get what you need there or peruse,  make a list and head out for your local library.

The trick is to locate your materials and dive in, avoiding too much time lost online when you could be reading or writing. It's easy to get lost online and fun too - so watch it.

One thing that is good, even for us introvert types, is attending the occasional conference.  Got a favorite genre?  You can find a conference for that! There are lists of them online and a bit of googling should turn up some near or far that would be just the thing for you to attend. And you'll be able to mingle with other writers, editors, agents, publishers and more. Work at being less of a wall flower and plunge in. 

Oh, and don't forget to network on such sites as Twitter, LinkedIn and Facebook.  Introvert types can be a little less out there using that media and still make connections.

Write, rewrite, read and learn.  That's what it's all about.
 

Wednesday, February 8, 2012

Writers Websites Wednesday


The Market List, the original electronic writers market resource, was started in 1994 as an online Ezine. It offered the first fully comprehensive writers market guidelines index online from its inception. Resources to help aspiring and professional writers find markets for their fiction. It's been around a while - Check it out.

Tuesday, February 7, 2012

It's Writing Time


How many times have you heard fellow writers say, "I just can't find the time to write" or how many times have you, yourself, said or thought, "my writing is suffering, I can't get time to do it?" How frustrated are you in trying to carve out the time to write what you want to write? 
 

Unless you're living on a trust fund and never have to hold down a job and don't have a family to distract you, you're in the same boat as most writers. Trying to work writing into a life you already have.

Now I don't want to get trite or sarcastic, well maybe a little sarcastic, but it's really is one of those life situations where you either will or you won't - that simple.

Now don't whine at me, "you don't understand" because I do. I've held full time jobs and published novels, I've been just married, taken care of an ailing mother and held a full time job AND optioned a screenplay - more than one. So I've been there. I know all the distractions and excuses.

So, what is the solution? It's pretty basic. First, do you want to write? I mean do you REALLY want to write? Is there a story inside burning, bumping and nagging to get out? Are you desperate to get it out? Do you want to write so badly you can hardly think of anything else?

Okay, if that's true, then there are ways to work writing in and admittedly there are some sacrifices you'll probably have to make to achieve your writing goals. No, not probably. There ARE sacrifices. If you're not up to that, then go back to the paragraph above and reevaluate.

There was a period of several years when I watched no TV at all. Each evening after work (where lunch hours were dedicated to errands or reading writing publications) I went straight home, ate dinner, did what had to be done, then locked myself away for about two or three hours of writing. Oh, I spent time Saturday morning writing as well. Then I spent some quality time with friends and relatives on weekends. Now I'm not saying that schedule was never broken, at times it was, but it was what I expected of myself and I published my writing over the years with Doubleday, Harlequin, Five Star, Pinnacle Books and others.

At other times in my life my writing was done on lunch hours and breaks... and evenings. I wrote during entire vacations from my day job, read writing publications when I minded a cash register at a book store between customers.

You can find jobs that fit in with your writing. You can work things out with your family. Perhaps after you publish and generate some income from your writing you can change to a part time job which is another thing I did; and then jealously guard those precious hours for your writing. You'll discover as you carve out more time for your writing, more people will think you're not working at all and it's okay to interrupt or suggest an outing for that time or want to call you and chat or constantly text you. Do what you must to guard against intrusion with firmness and diplomacy or you'll find that writing income drying up and soon you'll be back at square one.

Other writing friends have told me how they write on buses or trains on the way to work, on lunch hours tucked away in a corner somewhere, long into the night or if a stay at home parent, when the kids are at school or watching Sesame Street. Dinner becomes an adventure in tracking down 15 minute recipes that are actually good for you and taste good.

Be creative, search your life for those bits of time when you can put them to good use writing what you want to get out. One person's way may not be yours, but with some thought and planning you can carve out some writing time in your life. It's a matter of priority. There's no right or wrong answer, no write (right) or wrong way to strive for your goals. If writing isn't a high priority then give yourself a break, let it go. If it is important to you, explore your life and realistically find the way to work the amount of writing time in that is comfortable for you.

As Yoda would say - "Do or do not, there is no try."






Wednesday, February 1, 2012

Writers Websites Wednesday - Rachel Abbott Writer


I like Rachel's blog, Rachel Abbott-Writer.  For starters, she provides lots of info on twitter in three parts to help the new/indi writer learn the ins and outs of twitter.  She reveals some great info and  helpful tools.  All in all a good site; a blog worth following to see where it goes next.

Tuesday, January 31, 2012

Writing Compelling Characters

Let's face it, your story really is nothing without characters that grab the readers by the throat and won't let them go.  Yes, story is iportant, local too, but the characters who populate your stories are what breathe life into it. They're what really draw readers in make them want to know what happens next.

So, that established, how does one create compelling characters?  Characters that leap off the page, then draw the readers down into their own little hell or lift them up to heights unexplored?

A variety of things contribute to create compelling characters. There's the tangible, strength of character, meaning being true to who the character is and not causing him or her to go off on inexplicable tangents or for the character to fight you as the writer. (Believe me there can be some hairy battles between writer and character when writer wants to force a character to do something agains that character's character - get it?)

There's also the human touch. That means basically making the character really human, just like the rest of us, giving that character quirks, foibles and problems of his or her own that intermingle with whatever the problems of the story are. People are many-faceted. If you're an observer of people, and as a writer you should be, then you're familiar with that fact. The trick is to reveal that humanness, to not make a villain all dark or the hero without flaw. To  make Indiana Jones afraid of snakes, give a serial murderer a puppy, or a killer who wants to kill a girl friend's spouse so they can be together a consience. And by that I mean go deeper. There's more to being afraid of snakes or having a puppy, there's the interior of the character.  Reveal some of the emotional guts to your readers. Why was Indiana Jones afraid of snakes?  Why would a murderer have a puppy and what does the puppy mean to him or her?  If the guy who wants to murder his girlfriend's spouse has a conscience how is he going to accomplish is goal, what's going on inside? 

Additionally there's also the less tangible, what the story-teller writes between the lines.  The  underlying feeling that is created out of the character's actions, how that character relates to others within the story and what springs out of the character's own past history. This links back to my last sentence above. Make the reader feel part of the story, like the characters are people he knows, friends, acquaintances, nightmare people from the pages of his own newspaper, then you have a compelling character.

Wednesday, January 25, 2012

Writers Websites Wednesday - Chicago Manual of Style

This is a great site, the Chicago Manual of Style Online is a wonderful resource regardless.  Here the editors offer sometimes amusing answers to writers' questions.  Check it out, then mosey around the site and see what else you can learn. 
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