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Showing posts with label reading tools. Show all posts
Showing posts with label reading tools. Show all posts

Tuesday, March 19, 2013

Make Them Laugh, Make Them Cry



Writing is always a tricky business. It’s the writer’s job to hook the reader without the reader knowing he or she has been hooked. You want the reader to fall in, enjoy the adventure and not be aware of you, the writer, or even the fact they’ve been ‘away’ except for that golden afterglow of reading a truly great story.

So, with that goal in mind, among many other facets is the writer’s ability to give the reader reason to laugh and/or cry. Emotion is vital to keeping your reader involved in your story – right readers?

One might seem easier to accomplish than the other but they’re pretty much neck and neck in my book.

Let’s make them laugh.

Here’s the thing. People are not all exactly alike, but we share a lot of triggers. What a lot of people share, including agents and editors is a love of wit. And may I add wit isn’t precisely humor. Lots of people get a laugh out of slapstick, you know a fall on slippery ice or pie in the face. But that kind of humor doesn’t really involve the brain, wit does. And to key in to wit we need to realize surprise can cause laughter, absurdity too as well as understatement. All are elements, tactics you can use to add wit to the story you’re writing. And your characters are more likely sources for this than your plot.

Think about characters like the bone-steeped archaeologist with his many degrees who is socially inept.  Or what about the accountant so adept at guiding is clients but who can’t control his own impulsive online spending. Or a CEO who diplomatically keeps peace in his office, but has the war of the gardens going on at his semi-palatial home. 

There are many more – and lots more ways to put grins on readers faces.  Think about it. Read other books or scripts and think about what made you smile.

Want to make them cry?

Yep, you do. And here’s an even better point to be made. If you create an atmosphere where readers laugh and cry reading the same book, they’re sure to remember it. And if they remember it they’ll in all probability be looking for another book with your name on it as author.

So, how to make them cry ~

No, don’t just have the family dog die. It’s more than that. It’s that by which the reader is so wrapped up in the story that they feel for the characters. Doesn’t matter whether it’s Bambi and his mother just got killed by the hunters or whether it’s that homemaker who while making a special birthday cake for her kid just found it fell flat in the oven.

It’s emotional suspense, build up, anxiety in anticipation, process and a final really great payoff.

To accomplish all that it can’t happen quick. You can’t just toss in pathos.

As the writer you must take your time whether you write fast and blast it onto the page, then rewrite or whether you go slowly to begin with, what you write needs to build from a small, single seed.

When thinking about this consider your characters. Do you want to break a heart? Who among people are the most vulnerable? Children? Romantics? Dreamers?

How about this. You have a war veteran. He’s been working with a military dog – gone through hell with him. They’ve been best friends and watched each other’s’ backs. He retires from the service with his dog and they go camping. Somehow they’re separated. Circumstances force the soldier to go, believing his friend dead  – but he never stops thinking about the dog in the wilderness – will they find each other again?  Readers think the dog dead; but still they hope.

Readers can be swept up in stories that make them laugh and cry, not thinking about or even caring what it is about that story that sweeps them along.

It’s up to you as the writer to find those human links, the chords that resonate and to pluck them in a way that touches the heart.


Tuesday, October 16, 2012

Too Much Work And No Play For Writers

Hey, you, are you working too much?

Yep, you. Yes, I know, you're working a job and you just have to write so you have to juggle both and that means working...a lot.

Many, actually most, writers have to do this if they want to write. Few of us actually reach full-time writer status, at least in the fiction arena. And if you become a successful full-time copywriter or grant writer or creator of newsletters, etc. and love writing fiction, you still work too much. 

So how to you work less and still pursue your love of writing?

For starters you realize that taking breaks optimizes your work and creative flow so the writing goes smoothly.

Being pumped up on caffeine and pulling all-nighters is plainly not optimal no matter what your 20-something buddy (or your own 20-something brain) may claim.

And what is optimal? Well, the experts tell us it's a period of time in which you perform, mind and body, at your best when engaged in high-imagination and thinking projects. During that time you can keep your focus, your body is firing on all cylinders, your attitude is good and your imagination (really critical to fiction writing) is through the roof.

So, with all that in mind, it's true, that 20-something brain may work faster than a 40-something brain. They may have an edge on efficiency, really cranking it out, but the 40-something has the edge on effectiveness. 

45-year olds have it all over 25-year-olds in verbal memory and vocabulary.  Yeah, well, there it is. 

And, remember our bodies and minds (emphasis for writers on mind) have a natural rhythm. For most of us humans that cycle is around 90 minutes to 2 hours. So, with that in mind, it would appear the best time to take a little break is after that cycle.

For writers with day jobs that means not only do you need to take those little breaks during your work day - step away from the desk for a few minutes, grab a cup of tea or just walk down the hall - for optimum performance, but you need to do the same when you lock yourself down for your writing.

If you write during your lunch break at your day job, eat your lunch, savor your food, walk a few steps, then write before going back to your 'other job'. Yes, you lose a few minutes from your cherished 'writing time', but it will cause you to write that much more effectively. This applies to folks who have to do a lot of reading as part of their jobs (this includes you writers) as well. Short breaks and distractions will improve reading comprehension and speed.

And if you include taking breaks when you write during your evening hours you'll find you're not 'over-doing' it and burning yourself out. And, if you want to sustain that writing momentum over years and decades, not just right now, take those breaks.

Even short breaks are a tremendous help. Step away from your work area.  Look out of a window. Maybe sit in a comfortable chair near a window for a few minutes and embrace a memory that gives you pleasure. Step outdoors for a quick breath of air if you are able and while there savor the breeze, the colors, the sounds and smells. Movement is even better - a brisk short walk, even a block and back - more if you have the time. For night I have a treadmill - five minutes at a brisk pace and I'm good to go.

And I've reached a stage in my writing career where I don't have to work evenings. My work days are my work days. If you don't have to write in the eveings, don't do it. 

Relegate your writing to the 'work day' if you can - on the bus, during breaks or lunch hour, get up early to write before leaving for job, some writing on week-ends and days off. It's much more relaxing - and thus leads to better performance if you keep your evenings free, disengage from all work and allow yourself pockets of silence, play, self-indulgence and reading. If you can't eliminate all evening writing work, then make sure you shut down about a hour before you intend to go to bed.

Give yourself a break and see how your productivity and quality will improve. Life (and by extension your work) is not a sprint, it's a marathon.

Give yourself a break.

Wednesday, October 10, 2012

Writers And Readers Websites Wednesday - Reader's help

Writers - we need to think about reading. Yep, without readers what's a writer to do?

And, the more readers, but more informed people are.  

Reading is great!  

So, today the link is to Reading Rockets, a site to launch young readers. Teaching kids to read and helping those who struggle.  Fantastic! They offer help for parents, teachers and other learning professional to guide kids into reading and reading well.  There are free reading guides, link to children's books and authors, guide to PBS shows and more.  

Great little hub site so let's get reading!

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