This is just a great site. Association of Authors' Representatives Its a great place to check out prospective agents. It's a not-for-profit organization and it's members are required to abide by a strict code of ethics. It offers some frequently asked questions and links to professional associations in addition to info on agents.
Reading and writing is what it's all about. Peggy Bechko, author of traditionally published romances, westerns, optioned screenplays and a number of Ebook editions of former hard copy books invites you along on her writer's and reader's journey. Check out historic romance Cloud Dancer at amzn.to/LMkCUT Find insights for readers into the writing life, helps for writers, my writing updates, occasional reviews, helpful web links for writers and fun links for readers that I uncover along the way.
Stormrider!
Wednesday, December 22, 2010
Tuesday, December 21, 2010
How To Cope With Being A Shy Writer
Many writers, if not a majority of us are shy. And that means we can have a variety of problems in furthering our careers since we don't particularly do well in making human contact!
But, these problems, like most others can be overcome, or at least minimized. We all just need to take a deep breath and think about this, then plan a course of action.
Now it's very unlikely that someone is going to yell at you or call you bad names simply because you make a professional business contact. They may not be interested, but really, is that so bad? Move on.
Don't let yourself think only the extrovert and boisterous have a shot at real success in the book writing biz. Here's the thing, nobody knows what goes on inside someone else, but the extrovert is likely to be even more insecure in his or her own skin than the introvert who may not be great out in the big world, but is likely to pretty comfortable with him or her self.
But, to an introvert who's happy and content tucked away behind the keyboard, creating stories, polishing and pampering them, it can be nothing but burning agony to do a cold-call, a sales pitch or speak to a group. It can mean sleepless nights, the jitters and sweaty palms at the minimum.
At the risk of repeating myself, take another deep breath. You, the shy writer, can do this. You can face humanity, you really can deal, make a difference and do it all on yoru own terms.
How?
Practice. Find a conference or workshop for writers nearby or far afield. Attend. Now, it doesn't mean you suddenly have to emerge from your shell and bounce from one thing/person to another. Instead, check out the event before you go. Know a lot about it and decide what this conference can do to help you with your goals. Then grab yourself (figuratively) by the shirt collar and go meet a presenter. Or if not up to that yet, ask a question after a presentation. If you ask a question of someone else it shifts the attention away from you, the asker, onto the person who answers. This helps you in several ways. Hopefully you've asked a question you'd really like an answer to thus getting you some information. It forces you to open your mouth in public in a small way, but experience is experience. You gain just that much more self-confidence.
Make sure you have some nice business cards along on your conference trip and don't forget a professional looking and sharp name tag. Many times the name tag alone will draw people to say hello to you who might not otherwise do so. And if you have a business card to present, all the better. Make a point of keeping those cards handy and presenting them to folks who have something in common with you. Other writers in your field, maybe agents or editors.
While at the conference be sure to observe people, to study how they make introductions or share a story. It will relax you by giving you somewhere to focus and it will provide helpful tips for you to use in your own social interactions.
And, when you meet someone you can use the same tactic as you did in the presentation. Ask a question. It breaks the ice and the added bonus is, psychologically, when you avoid attention to yourself by turning it onto someone else in the form of a question, the other person generally believes you are a very cool and interesting person to get to know. That starts more interaction which may result in the first person introducing you to others (keep those business cards handy). Not bad! The more you do this, the easier it will become. Believe me, I've been there. From close-mouthed, terror-stricken youth to self-confident social networker, that's me! (with shy person still very much present inside) You can do this, and on your own terms. Breathe, take stock of who you are and plunge in.
Oh, and one last tip when you attend a writer's gathering. People do judge you by your appearance even if they aren't aware of it themselves and certainly wouldn't admit it. The fact is, decisions can be influence dby your appearance, what clothes you're wearing, how you look, how your put yourself forward, so keep it in mind, and work with it. Look your best.
That doesn't mean you have to wear a suit or fancy dress. Instead be neat, clean and well-groomed. Wear clothes that are appropriate. That means avoid torn, stained clothes, shorts, T-shirts and the like. Wear something like business casual; clothing that shows respect. It's still generally true that it's better to overdress a bit than the opposite. What could be wrong with looking your best and frankly, smelling your best? Remember, at a conference you'll no doubt find yourself in close physical proximity with lots of other people. Comb your hair, take a shower, use a deodorant, brush your teeth. You want them to remember you for your pleasant company and your good ideas not your ragged jeans, your overpowering breath or that awful smell! Don't laugh, I've experience just exactly that from a few choice others at a convention.
So get out there, you can do it. You don't have to be a star, you just have to be you.
But, these problems, like most others can be overcome, or at least minimized. We all just need to take a deep breath and think about this, then plan a course of action.
Now it's very unlikely that someone is going to yell at you or call you bad names simply because you make a professional business contact. They may not be interested, but really, is that so bad? Move on.
Don't let yourself think only the extrovert and boisterous have a shot at real success in the book writing biz. Here's the thing, nobody knows what goes on inside someone else, but the extrovert is likely to be even more insecure in his or her own skin than the introvert who may not be great out in the big world, but is likely to pretty comfortable with him or her self. But, to an introvert who's happy and content tucked away behind the keyboard, creating stories, polishing and pampering them, it can be nothing but burning agony to do a cold-call, a sales pitch or speak to a group. It can mean sleepless nights, the jitters and sweaty palms at the minimum.
At the risk of repeating myself, take another deep breath. You, the shy writer, can do this. You can face humanity, you really can deal, make a difference and do it all on yoru own terms.
How?
Practice. Find a conference or workshop for writers nearby or far afield. Attend. Now, it doesn't mean you suddenly have to emerge from your shell and bounce from one thing/person to another. Instead, check out the event before you go. Know a lot about it and decide what this conference can do to help you with your goals. Then grab yourself (figuratively) by the shirt collar and go meet a presenter. Or if not up to that yet, ask a question after a presentation. If you ask a question of someone else it shifts the attention away from you, the asker, onto the person who answers. This helps you in several ways. Hopefully you've asked a question you'd really like an answer to thus getting you some information. It forces you to open your mouth in public in a small way, but experience is experience. You gain just that much more self-confidence.
Make sure you have some nice business cards along on your conference trip and don't forget a professional looking and sharp name tag. Many times the name tag alone will draw people to say hello to you who might not otherwise do so. And if you have a business card to present, all the better. Make a point of keeping those cards handy and presenting them to folks who have something in common with you. Other writers in your field, maybe agents or editors.
While at the conference be sure to observe people, to study how they make introductions or share a story. It will relax you by giving you somewhere to focus and it will provide helpful tips for you to use in your own social interactions.
And, when you meet someone you can use the same tactic as you did in the presentation. Ask a question. It breaks the ice and the added bonus is, psychologically, when you avoid attention to yourself by turning it onto someone else in the form of a question, the other person generally believes you are a very cool and interesting person to get to know. That starts more interaction which may result in the first person introducing you to others (keep those business cards handy). Not bad! The more you do this, the easier it will become. Believe me, I've been there. From close-mouthed, terror-stricken youth to self-confident social networker, that's me! (with shy person still very much present inside) You can do this, and on your own terms. Breathe, take stock of who you are and plunge in.
Oh, and one last tip when you attend a writer's gathering. People do judge you by your appearance even if they aren't aware of it themselves and certainly wouldn't admit it. The fact is, decisions can be influence dby your appearance, what clothes you're wearing, how you look, how your put yourself forward, so keep it in mind, and work with it. Look your best.
That doesn't mean you have to wear a suit or fancy dress. Instead be neat, clean and well-groomed. Wear clothes that are appropriate. That means avoid torn, stained clothes, shorts, T-shirts and the like. Wear something like business casual; clothing that shows respect. It's still generally true that it's better to overdress a bit than the opposite. What could be wrong with looking your best and frankly, smelling your best? Remember, at a conference you'll no doubt find yourself in close physical proximity with lots of other people. Comb your hair, take a shower, use a deodorant, brush your teeth. You want them to remember you for your pleasant company and your good ideas not your ragged jeans, your overpowering breath or that awful smell! Don't laugh, I've experience just exactly that from a few choice others at a convention.
So get out there, you can do it. You don't have to be a star, you just have to be you.
Wednesday, December 15, 2010
Writers Websites Wednesday - Random loglines
It's Wednesday - getting close to holidays so I figured what the heck. whip out the link to the Random Logline Generator. Now this may seem a bit odd, maybe even not so helpful, but here's the thing. While it produces random loglines it's entertaining - and it may spark an idea for you. Doesn't matter if you're a novelist or screenwriter. Some very fun nuggets can be found with a bit of playing at this site.
Tuesday, December 14, 2010
What About Romances? - Crunching the Numbers
The economy isn't great, in fact, it's still pretty bad, and though statistics are really only in through 2009 (we've yet to see what 2010 has done) the undeniable fact is that though the economy is still struggling to bounce back from the latest recession, book sales increased slightly in 2009 from 2008.
Why?
Who knows. Some say it's because the cost of a book is relatively cheap compared to other forms of entertainment out there (does that include playing with a computer game already purchased?). Others claim its because reading a book offers an escape for readers from tough times (movies already owned on DVD don't accomplish that?) I don't know the why and the 'experts' aren't very convincing, but really, does it matter to the writer? He or she just wants to be read and carve out a career so any reason is a good reason for book sales to climb even a little. In fact, just holding steady right now is a major plus.
In fact, Romance fiction continues to hold the largest share of the consumer market, beating out other categories like Mystery, Sci-Fi/Fantasy, Crime, Horror and others.
Why?
Who knows. Some say it's because the cost of a book is relatively cheap compared to other forms of entertainment out there (does that include playing with a computer game already purchased?). Others claim its because reading a book offers an escape for readers from tough times (movies already owned on DVD don't accomplish that?) I don't know the why and the 'experts' aren't very convincing, but really, does it matter to the writer? He or she just wants to be read and carve out a career so any reason is a good reason for book sales to climb even a little. In fact, just holding steady right now is a major plus.
In fact, Romance fiction continues to hold the largest share of the consumer market, beating out other categories like Mystery, Sci-Fi/Fantasy, Crime, Horror and others.
For romance writers the good news is romance fcction (with all it's sub-genres such as Historical, Paranormal, Fantasy, Sci/Fi, Inspirational, Regency, Suspense, Erotic) has, for a long time, been the mainstay of the mass-market paperbacks.
More good news for the romance writer; the genre is gaining a foothold in the Ebook format (which is pretty much exploding about now) as well. As a mater of fact it went from number 3 position in 2009 and is currrently in number 2 postion for 2010. The year will have to end to see how that shakes out overall.
So who publishes all those Romances? Well, the primary publishers are Mira, Berkley, Avon, Little Brown, Pocket, Dell, Grand Central, HQN, Ballantine and Zebra. Tuck that info away in your brain if you're writing or thinking of writing a romance. The best selling 'sub-genres' are Contemporary (series), Contemporary (single title), Paranormal and Historical. But choose one your really enjoy writing, not one that's simply in the 'best-selling' category.
Who is the general audience for the romance writer? Apparently the core of the readership is women between thirty-one and forty-nine - oh, and apparently in a romantic relationship of their own. And over 90% of romances sold are to women - guess that tidbit isn't too surprising. And obviously those who read specific sub-genres have their interests there.
Another thing to keep in mind is how these readers find out about the books they buy. Apparently personal websites aren't having too much impact as yet - at least when it comes to generating direct buys. Mostly it's word of mouth, impulse buying from a book display at a store, generally liking the subject of the book before opening it and perusing the best-seller lists. I haven't seen much about what's hooking them for the Ebooks they purchase, but can only project its similar, but with cyber displays, etc.
More good news for the romance writer; the genre is gaining a foothold in the Ebook format (which is pretty much exploding about now) as well. As a mater of fact it went from number 3 position in 2009 and is currrently in number 2 postion for 2010. The year will have to end to see how that shakes out overall.
So who publishes all those Romances? Well, the primary publishers are Mira, Berkley, Avon, Little Brown, Pocket, Dell, Grand Central, HQN, Ballantine and Zebra. Tuck that info away in your brain if you're writing or thinking of writing a romance. The best selling 'sub-genres' are Contemporary (series), Contemporary (single title), Paranormal and Historical. But choose one your really enjoy writing, not one that's simply in the 'best-selling' category.
Who is the general audience for the romance writer? Apparently the core of the readership is women between thirty-one and forty-nine - oh, and apparently in a romantic relationship of their own. And over 90% of romances sold are to women - guess that tidbit isn't too surprising. And obviously those who read specific sub-genres have their interests there.
Another thing to keep in mind is how these readers find out about the books they buy. Apparently personal websites aren't having too much impact as yet - at least when it comes to generating direct buys. Mostly it's word of mouth, impulse buying from a book display at a store, generally liking the subject of the book before opening it and perusing the best-seller lists. I haven't seen much about what's hooking them for the Ebooks they purchase, but can only project its similar, but with cyber displays, etc.
So if you're considering writing a romance, go ahead, have at it. You never know where it may lead.
Wednesday, December 8, 2010
Writers Websites Wednesday - brainstorming
Are you into mindmapping to help you brainstorm your next writing project? Heres a free, online mindmapping source. Works pretty good too! Bubbl.us Really good for brain play when you get stalled on a story.
Tuesday, December 7, 2010
Want to UnMuddle Your Writing?
Okay, so shoot me, I got creative with 'UnMuddle", but ponder this. Why do you write (no matter what you write)?
To communicate.
So, tell me, what good is it all if the one you’re trying to communicate with can’t easily understand what’s being said?
Whether the person you're writing to is reading a novel, trying to decipher an instruction manual, perusing a travel magazine or just reading a sales ad, if that person you're writing to finds it difficult to follow along, you’ve lost your reader. The book gets closed. The magazine gets laid aside, the advertising is ignored. That’s where Keep It Simple comes in. You've heard of it. KISS. Keep It Simple Stupid (well without the 'stupid' part, because plainly you aren't).
Writing with clarity is tougher than most folks think who aren't writers so, the simpler the better. That’s not to say you’re to write ‘down’ to your reader. It’s not that other people are stupid (well, not many of them are, and plainly my readers and yours aren’t), it’s just that they’re busy. They’re distracted and let’s face it, nobody, whatever their level of ability, wants to have to stop and decode what they’re reading. Just don't want to, don't have to. They can move on and that's not good for you, the writer.
The concept applies well to all your writing. Keep sentences and paragraphs short. Don’t you find it off-putting to be confronted by a sheet filled solidly with print and very little white space? Isn’t it easier to follow down a page that offers some breaks? Maybe it’s dialog or shorter paragraphs for fiction. Perhaps it’s sub-headlines in advertising copy. Could be beautiful pictures in travel magazines. All of those help to draw the reader along, into the flow of the written page. Eye candy, whether text or pictorial.
Generally it's best to use easily understood words. Some writers use huge vocabularies and use them well. Other writers use vocabularies which are much smaller. Hemingway fell into the later camp by the way; Steinbeck too seemed to love single syllable words. That’s not to say you should not use colorful words. Simple and colorful are not exclusive of each other.
The key is clarity. Don’t use a hundred-dollar-word when a five-cent edition will do. This is especially true when you aren’t comfortable with that hundred-dollar-word in the first place. When you write what you are comfortable with it will naturally come across clearly - at least the great majority of the time. Write within your comfort zone. Don't think you have to prove anything.
I personally think all of this is a remnant of childhood. Remember children's books with large print and lots of pictures? Remember that first time when you were young and decided to read a ‘young adult’ book without pictures (well, mostly without, maybe there were a few line drawings at chapter beginnings)? Kind of a shock wasn’t it? I think we continue to carry a little bit of that kid along with us through life. A sort of “hey, where’re the pictures?” kind of attitude.
Reading what you’ve written out loud is a great help when you’re trying to keep your writing simple and clean. Remember, you’re not trying to impress your reader with how big a vocabulary you have or how perfect your grammar or how long a sentence you can produce with all the comas, semicolons and exclamation points in the correct places. Nope, that’s not what you’re doing. What you’re doing, is communicating. Telling a story of some kind. Whether fiction, non-fiction, or advertising, the writer is telling a story. And if you can't read one of your sentences aloud without running out of breath, you're in trouble.
So, think in terms of talking to a friend. If you were talking to a friend would you speaking to impress, or would you simply be relaying a story? Think about it. Through your writing you are communicating - be effective you must be understood.
Wednesday, December 1, 2010
Writers Websites Wednesday - I Write Like
Okay, this one is just for fun. It's called I Write Like and it compares your writing to the greats (and maybe not that great). All you have to do is paste a few paragraphs of your writing into the box, click on analyze and see who you come up with.
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