Time for a new website I stumbled across and this one's pretty good. It's called Diploma Guide, but don't let that name confuse or stop you.
They offer writing courses online from top universities and education websites and they're free. On a pretty nice variety of writing topics to.
Beginning, editing and proofing, poetry, essays and yes, more, are offered by MIT, UK's Open University, Crafty Writer, UCLA, Purdue and well, others.
Tool around, check out the site and see if there are any offerings here that might help you take your writing up a notch.
Tell me if you find a helpful course here and if you know of any other free and helpful writing courses please note them below for others.
Reading and writing is what it's all about. Peggy Bechko, author of traditionally published romances, westerns, optioned screenplays and a number of Ebook editions of former hard copy books invites you along on her writer's and reader's journey. Check out historic romance Cloud Dancer at amzn.to/LMkCUT Find insights for readers into the writing life, helps for writers, my writing updates, occasional reviews, helpful web links for writers and fun links for readers that I uncover along the way.
Stormrider!
Showing posts with label writing education. Show all posts
Showing posts with label writing education. Show all posts
Wednesday, January 16, 2013
Tuesday, January 15, 2013
Developing Your Craft – of Writing
We do a lot of wandering in this blog about writing, writers, the craft of writing, websites for writers; pretty much anything writing related. This time around we're going to get back to some basics and those basics apply to pretty much all writing.
A number of these you may have heard before, but well, you're going to hear them again. This is a wake up call – get your head out of the sand and improve your craft. We know you have good ideas. Now's the time to back up, take a break, look around and get really good at expressing those stories into books, screenplays, whatever your pleasure.
So, here goes ~
1. Use simple, declarative sentences. Don't get all fancy and flowery on us. Write tight and write exciting. Grab the reader by the eyeballs and that doesn't happen when you write the sentence that never ends.
2. Avoid using the passive voice. Who wants passive in an exciting, engaging and interesting story? So don't use sentences like “The village had been scorched by the dragon's fiery breath”, instead, make it, “The dragon scorched the village with his fiery breath.” or “Why was the road crossed by the chicken” becomes “Why did the chicken cross the road.” Really folks, it's not that hard, read with an eye toward passive voice – look it up on the web if you need more examples or don't get what I'm telling you here.
3. Again, keep it simple and limit your use of adjectives and adverbs. Yes, give your reader the information he or she needs to want to continue reading, but a continual barrage of adjectives and adverbs. If you have trouble with this concept Karen Elizabeth Gordon's book, The Deluxe Transitive Vampire: The Ultimate Handbook of Grammar for the Innocent, the Eager, and the Doomed may be of assistance.
4. Go easy on your descriptive narrative. Yes your readers want the scene set, they want to know about the people, but they don't want it to go on forever so don't overwrite. And that leads us to –
5. Reread your work – consider each word you've written thats three syllables or more long and think about whether it can be replaced by a simpler, crisper word.
6. Avoid ifs, buts, and can'ts – unless absolutely necessary. I try not to say things like this, but I've seen them peppered throughout manuscripts and it's definitely worth keeping your eye on.
7. Oh, and finally, cut the crap and never rescue your hero. Seriously. He got himself into this, he can darn well get himself out. In fact he better get himself out. I mean where is your imagination? If the main character doesn't find a way out of whatever hot water you've tossed him or her into and you need to extract tweezers and pluck the hero out of the boiling cauldron, what fun is that? Nope, that stalwart has to find a way out. You're not it – well you are in the sense that you're writing the story, the book, the screenplay, but you know what I mean.
8. And finally you might consider stopping the multi-tasking crap when you write and go more with mono-tasking. Turn off the phone, Click off your browser (unless you're researching and then click off when you're done). Break your addiction and focus.
Think about it and writers tell me if any of these reminders strike a chord.
Readers, tell me if any of the above ring any bells and have caused you to be unhappy with a book or to give up on it altogether.~ We're all in this together.
A number of these you may have heard before, but well, you're going to hear them again. This is a wake up call – get your head out of the sand and improve your craft. We know you have good ideas. Now's the time to back up, take a break, look around and get really good at expressing those stories into books, screenplays, whatever your pleasure.
So, here goes ~
1. Use simple, declarative sentences. Don't get all fancy and flowery on us. Write tight and write exciting. Grab the reader by the eyeballs and that doesn't happen when you write the sentence that never ends.
2. Avoid using the passive voice. Who wants passive in an exciting, engaging and interesting story? So don't use sentences like “The village had been scorched by the dragon's fiery breath”, instead, make it, “The dragon scorched the village with his fiery breath.” or “Why was the road crossed by the chicken” becomes “Why did the chicken cross the road.” Really folks, it's not that hard, read with an eye toward passive voice – look it up on the web if you need more examples or don't get what I'm telling you here.
3. Again, keep it simple and limit your use of adjectives and adverbs. Yes, give your reader the information he or she needs to want to continue reading, but a continual barrage of adjectives and adverbs. If you have trouble with this concept Karen Elizabeth Gordon's book, The Deluxe Transitive Vampire: The Ultimate Handbook of Grammar for the Innocent, the Eager, and the Doomed may be of assistance.
4. Go easy on your descriptive narrative. Yes your readers want the scene set, they want to know about the people, but they don't want it to go on forever so don't overwrite. And that leads us to –
5. Reread your work – consider each word you've written thats three syllables or more long and think about whether it can be replaced by a simpler, crisper word.
6. Avoid ifs, buts, and can'ts – unless absolutely necessary. I try not to say things like this, but I've seen them peppered throughout manuscripts and it's definitely worth keeping your eye on.
7. Oh, and finally, cut the crap and never rescue your hero. Seriously. He got himself into this, he can darn well get himself out. In fact he better get himself out. I mean where is your imagination? If the main character doesn't find a way out of whatever hot water you've tossed him or her into and you need to extract tweezers and pluck the hero out of the boiling cauldron, what fun is that? Nope, that stalwart has to find a way out. You're not it – well you are in the sense that you're writing the story, the book, the screenplay, but you know what I mean.
8. And finally you might consider stopping the multi-tasking crap when you write and go more with mono-tasking. Turn off the phone, Click off your browser (unless you're researching and then click off when you're done). Break your addiction and focus.
Think about it and writers tell me if any of these reminders strike a chord.
Readers, tell me if any of the above ring any bells and have caused you to be unhappy with a book or to give up on it altogether.~ We're all in this together.
Tuesday, October 16, 2012
Too Much Work And No Play For Writers
Hey, you, are you working too much?
Yep, you. Yes, I know, you're working a job and you just have to write so you have to juggle both and that means working...a lot.
Many, actually most, writers have to do this if they want to write. Few of us actually reach full-time writer status, at least in the fiction arena. And if you become a successful full-time copywriter or grant writer or creator of newsletters, etc. and love writing fiction, you still work too much.
So how to you work less and still pursue your love of writing?
For starters you realize that taking breaks optimizes your work and creative flow so the writing goes smoothly.
Being pumped up on caffeine and pulling all-nighters is plainly not optimal no matter what your 20-something buddy (or your own 20-something brain) may claim.
And what is optimal? Well, the experts tell us it's a period of time in which you perform, mind and body, at your best when engaged in high-imagination and thinking projects. During that time you can keep your focus, your body is firing on all cylinders, your attitude is good and your imagination (really critical to fiction writing) is through the roof.
So, with all that in mind, it's true, that 20-something brain may work faster than a 40-something brain. They may have an edge on efficiency, really cranking it out, but the 40-something has the edge on effectiveness.
45-year olds have it all over 25-year-olds in verbal memory and vocabulary. Yeah, well, there it is.
And, remember our bodies and minds (emphasis for writers on mind) have a natural rhythm. For most of us humans that cycle is around 90 minutes to 2 hours. So, with that in mind, it would appear the best time to take a little break is after that cycle.
For writers with day jobs that means not only do you need to take those little breaks during your work day - step away from the desk for a few minutes, grab a cup of tea or just walk down the hall - for optimum performance, but you need to do the same when you lock yourself down for your writing.
If you write during your lunch break at your day job, eat your lunch, savor your food, walk a few steps, then write before going back to your 'other job'. Yes, you lose a few minutes from your cherished 'writing time', but it will cause you to write that much more effectively. This applies to folks who have to do a lot of reading as part of their jobs (this includes you writers) as well. Short breaks and distractions will improve reading comprehension and speed.
And if you include taking breaks when you write during your evening hours you'll find you're not 'over-doing' it and burning yourself out. And, if you want to sustain that writing momentum over years and decades, not just right now, take those breaks.
Even short breaks are a tremendous help. Step away from your work area. Look out of a window. Maybe sit in a comfortable chair near a window for a few minutes and embrace a memory that gives you pleasure. Step outdoors for a quick breath of air if you are able and while there savor the breeze, the colors, the sounds and smells. Movement is even better - a brisk short walk, even a block and back - more if you have the time. For night I have a treadmill - five minutes at a brisk pace and I'm good to go.
And I've reached a stage in my writing career where I don't have to work evenings. My work days are my work days. If you don't have to write in the eveings, don't do it.
Relegate your writing to the 'work day' if you can - on the bus, during breaks or lunch hour, get up early to write before leaving for job, some writing on week-ends and days off. It's much more relaxing - and thus leads to better performance if you keep your evenings free, disengage from all work and allow yourself pockets of silence, play, self-indulgence and reading. If you can't eliminate all evening writing work, then make sure you shut down about a hour before you intend to go to bed.
Give yourself a break and see how your productivity and quality will improve. Life (and by extension your work) is not a sprint, it's a marathon.
Give yourself a break.
Give yourself a break and see how your productivity and quality will improve. Life (and by extension your work) is not a sprint, it's a marathon.
Give yourself a break.
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Tuesday, October 2, 2012
Reading is Not Boring But Writers Are A Little Crazy
I Suspect Writers Are a Little Bit Crazy
Yes, I mean you and me and all those other writers out there (regardless of what they write). There are a lot of reasons for my suspicions but I could write another entire book on that so I'll just keep to one sub-topic beneath the general heading for today.
I can't tell you how many times I've heard aspiring writers say, "I'm not a big fan of reading...I just don't have time to read."
What?
You intend to write but you don't read? I mean if you don't read what the heck makes you think other people are going to read what YOU write?
Oh, they say, I'd rather just flip on the game console or maybe send a text (with letters that look like little better than gobbeldy-gook) or surf the net. Reading is pretty boring they tell me.
What?
So you don't think YOUR writing is going to bore someone else?
Ahem, let's analyze this truly twisted thinking a bit. From many conversations and my own observations this situation plainly stems from not the reading, but WHAT those people were reading.
Many young people read only because they've "had to" for school or for some learning endeavor.
Remember being forced to slog through a 'classic' in literature class that didn't interest you? Remember being assigned a long read in a dry text at school that held no more interest for you than dust?
Then, maybe later remember when you 'had' to read some technical manual for your work?
Granted, all that can be boring, but it's not reading's fault!
Okay, so I think the problem is plain and if you plan to write or simply want to have a better life you are going to have to read.
Sorry, that's the way of it.
Doesn't matter how you read, whether holding a book or a magazine or at your computer or on your tablet, you have to read.
So, putting aside for the moment the stuff you'll still 'have' to read over time, the key is to find things you're interested in, things that entertain you and/or ignite your passions. Novels, politics, science, whatever floats your boat. Trust me, reading will then be fun.
And, as a bonus, once you've found those things that inspire and fire you, and you actually begin to enjoy reading, you'll discover lots of new ideas and topics that will engross you for hours, even days.
From there you'll leap into new perspectives, explore new frontiers. On top of that, reading will lead to better writing. Whether you desire to be a 'writer' of some species or just need to write clearly for your job or to communicate with friends, family and colleagues, reading will aid you in those endeavors. New ideas, new words, new perspectives.
And all of that will change your world. And one change spurs another. It's a process that goes on continually. One I've no doubt you'll come to love and embrace.
Write. Read. Be a little crazy.
Yes, I mean you and me and all those other writers out there (regardless of what they write). There are a lot of reasons for my suspicions but I could write another entire book on that so I'll just keep to one sub-topic beneath the general heading for today.
I can't tell you how many times I've heard aspiring writers say, "I'm not a big fan of reading...I just don't have time to read."
What?
You intend to write but you don't read? I mean if you don't read what the heck makes you think other people are going to read what YOU write?
Oh, they say, I'd rather just flip on the game console or maybe send a text (with letters that look like little better than gobbeldy-gook) or surf the net. Reading is pretty boring they tell me.
What?
So you don't think YOUR writing is going to bore someone else?
Ahem, let's analyze this truly twisted thinking a bit. From many conversations and my own observations this situation plainly stems from not the reading, but WHAT those people were reading.
Many young people read only because they've "had to" for school or for some learning endeavor.
Remember being forced to slog through a 'classic' in literature class that didn't interest you? Remember being assigned a long read in a dry text at school that held no more interest for you than dust?
Then, maybe later remember when you 'had' to read some technical manual for your work?
Granted, all that can be boring, but it's not reading's fault!
Okay, so I think the problem is plain and if you plan to write or simply want to have a better life you are going to have to read.
Sorry, that's the way of it.
Doesn't matter how you read, whether holding a book or a magazine or at your computer or on your tablet, you have to read.
So, putting aside for the moment the stuff you'll still 'have' to read over time, the key is to find things you're interested in, things that entertain you and/or ignite your passions. Novels, politics, science, whatever floats your boat. Trust me, reading will then be fun.
And, as a bonus, once you've found those things that inspire and fire you, and you actually begin to enjoy reading, you'll discover lots of new ideas and topics that will engross you for hours, even days.
From there you'll leap into new perspectives, explore new frontiers. On top of that, reading will lead to better writing. Whether you desire to be a 'writer' of some species or just need to write clearly for your job or to communicate with friends, family and colleagues, reading will aid you in those endeavors. New ideas, new words, new perspectives.
And all of that will change your world. And one change spurs another. It's a process that goes on continually. One I've no doubt you'll come to love and embrace.
Write. Read. Be a little crazy.
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Tuesday, August 21, 2012
Writing, Writer & The Writer's Life
I've
done a lot of articles for this blog and offered a lot of links to
helpful writing sites. for the new and aspiring as well as the
established writer.
Today I think I'm going to kick back and just discuss some of the less 'nuts and bolts' of writing and talk a little about what it's like to be a writer.
Of course there's a lot of writing out there and a lot depends on what kind of writing you do. I lean to advice for the fiction writer mostly as I am mostly a fiction writer. But, I recently participated in a conversation where one faction was telling a writer that she could consider her writing only a hobby and not to think about trying to make a living from it. Now, I suspect they were thinking of and talking about writing fiction and I can see the thought process in that direction. However if we don't pursue our dreams, life can seem a dull place.
So, I say, if writing fiction is what you want to do, what you passionately love doing - then go for it.
Will you have to have other jobs to support you along the way? Probably; almost assuredly.
Will it be hard work? You better believe it.
Will you have to dedicated part of your precious writing time to promoting the book once it's published? No doubt about it.
Is it worth it? That depends on how much you passionately want it.
It is a jungle out there for the fiction writer, no doubt about it.
However, you can also hone your skills at writing and earn money doing types of writing in addition to your fiction. You can prepare yourself for technical writing, journalism, grant writing, writing for newsletters, magazines, online, copywriting and more. If you stop to think, there isn't hardly an area in every day life that doesn't involve writing.
*Who wrote the script for the TV commercial?
*Who wrote the text for the promotional letter you got in today's mail?
*Who wrote the detailed instruction manual that comes with the new item you bought?
*Who wrote the articles for the magazine you read (and all the hundreds of them you may not read?
*Who wrote the material that got the local college, foundation or non-profit their grant?
*Who came up with the cute text in the greeting card?
*Who writes the many non-fiction books out there?
Well, you get it. It goes on and on. I left out writing scripts for movies and TV because those are very tough markets to break into as well though of course if it's your passion, reach for it.
It's never been easy for the fiction writer.
There are a handful who do very, very well, who could finance a small country with their earnings.
Then there are many who vary from 'get along' to 'pleasant income' and that's not a bad place to be.
Then, unfortunately there is a whole pool of 'never make it' who write, maybe publish, maybe even self-publish and promote, but just never get off the ground. Maybe it's not even because they're not talented and skilled, but rather for some reason what they write just doesn't seem to strike a chord. For whatever reason there's no 'lift-off'.
For them, perhaps it does become only a hobby, something they share with friends and relatives. Perhaps they resign themselves to just putting it out there for others to enjoy and not making any money from it. Unfortunately that last one is a double-edged sword. I'm not saying you shouldn't do that if that's what you want. But, the more folks who treat their fiction writing as a hobby and put it out there free, the harder it is for writers attempting to make it their profession as it drives down the value of their writing.
And if you become one of the 'rocketing' writers, great, you won't have a whole lot to worry about.
However, if you're in that middle pool there are things you need to consider.
Where are you going to get health insurance? There are some writer's organizations who offer it at reduced rates once you're published and of course there's the possibility of a life-partner who works a 'day job' and carries the insurance for you both. Sadly, even a minor illness can mean bankruptcy in this country. That's where we are.
What if you have a dry spell? There's no 'unemployment' for a fiction writer who's between books or royalty checks or who just can't get that new idea finished.
Can you put money back against a possible rainy day? For example, what if there's a family emergency and you become a temporary care-giver and can't write at all for six months or a year?
And what about vacations? Can you take time out of your writing to just relax? When you're a freelance writer, not writing means a gap of no pay. You're self-employed so you need to plan for these things.
But what most self employed people who run a business such as a small store or service provided don't have to think about is the freelance writer is dependent entirely upon his or her own brain and ideas to make a living.
If there is discord in life, if there is tragedy or just a bump in the road, the average self-employed person with that small shop can still show up and go through the motions, selling things or whatever is needed. It's a show up, do work kind of thing and while it may take some creativity, in most situations there's a bit of 'float' time before a crash might be imminent.
As a freelance writer, a disaster could well be more wide-spread in the ripples it causes as the writer's brain could well go into melt-down dealing with a huge emotional wrench. That means no writing and no writing means no income - maybe further down the line, but it will be felt.
A lot of the reasons above are why many writers keep day jobs, whether part or full time, long after they publish and sometimes for the life of their writing careers. It's something to consider.
Of course a lot of the above can be off-set by that gushing fan letter the writer receives or the really nice royalty check that shows up at the end of a reporting period.
There's a lot to think about in being a freelance writer of any type. Or, sometimes, nothing to think about because it's your passion and you're determined to write and work out the details as you go along.
Today I think I'm going to kick back and just discuss some of the less 'nuts and bolts' of writing and talk a little about what it's like to be a writer.
Of course there's a lot of writing out there and a lot depends on what kind of writing you do. I lean to advice for the fiction writer mostly as I am mostly a fiction writer. But, I recently participated in a conversation where one faction was telling a writer that she could consider her writing only a hobby and not to think about trying to make a living from it. Now, I suspect they were thinking of and talking about writing fiction and I can see the thought process in that direction. However if we don't pursue our dreams, life can seem a dull place.
So, I say, if writing fiction is what you want to do, what you passionately love doing - then go for it.
Will you have to have other jobs to support you along the way? Probably; almost assuredly.
Will it be hard work? You better believe it.
Will you have to dedicated part of your precious writing time to promoting the book once it's published? No doubt about it.
Is it worth it? That depends on how much you passionately want it.
It is a jungle out there for the fiction writer, no doubt about it.
However, you can also hone your skills at writing and earn money doing types of writing in addition to your fiction. You can prepare yourself for technical writing, journalism, grant writing, writing for newsletters, magazines, online, copywriting and more. If you stop to think, there isn't hardly an area in every day life that doesn't involve writing.
*Who wrote the script for the TV commercial?
*Who wrote the text for the promotional letter you got in today's mail?
*Who wrote the detailed instruction manual that comes with the new item you bought?
*Who wrote the articles for the magazine you read (and all the hundreds of them you may not read?
*Who wrote the material that got the local college, foundation or non-profit their grant?
*Who came up with the cute text in the greeting card?
*Who writes the many non-fiction books out there?
Well, you get it. It goes on and on. I left out writing scripts for movies and TV because those are very tough markets to break into as well though of course if it's your passion, reach for it.
It's never been easy for the fiction writer.
There are a handful who do very, very well, who could finance a small country with their earnings.
Then there are many who vary from 'get along' to 'pleasant income' and that's not a bad place to be.
Then, unfortunately there is a whole pool of 'never make it' who write, maybe publish, maybe even self-publish and promote, but just never get off the ground. Maybe it's not even because they're not talented and skilled, but rather for some reason what they write just doesn't seem to strike a chord. For whatever reason there's no 'lift-off'.
For them, perhaps it does become only a hobby, something they share with friends and relatives. Perhaps they resign themselves to just putting it out there for others to enjoy and not making any money from it. Unfortunately that last one is a double-edged sword. I'm not saying you shouldn't do that if that's what you want. But, the more folks who treat their fiction writing as a hobby and put it out there free, the harder it is for writers attempting to make it their profession as it drives down the value of their writing.
And if you become one of the 'rocketing' writers, great, you won't have a whole lot to worry about.
However, if you're in that middle pool there are things you need to consider.
Where are you going to get health insurance? There are some writer's organizations who offer it at reduced rates once you're published and of course there's the possibility of a life-partner who works a 'day job' and carries the insurance for you both. Sadly, even a minor illness can mean bankruptcy in this country. That's where we are.
What if you have a dry spell? There's no 'unemployment' for a fiction writer who's between books or royalty checks or who just can't get that new idea finished.
Can you put money back against a possible rainy day? For example, what if there's a family emergency and you become a temporary care-giver and can't write at all for six months or a year?
And what about vacations? Can you take time out of your writing to just relax? When you're a freelance writer, not writing means a gap of no pay. You're self-employed so you need to plan for these things.
But what most self employed people who run a business such as a small store or service provided don't have to think about is the freelance writer is dependent entirely upon his or her own brain and ideas to make a living.
If there is discord in life, if there is tragedy or just a bump in the road, the average self-employed person with that small shop can still show up and go through the motions, selling things or whatever is needed. It's a show up, do work kind of thing and while it may take some creativity, in most situations there's a bit of 'float' time before a crash might be imminent.
As a freelance writer, a disaster could well be more wide-spread in the ripples it causes as the writer's brain could well go into melt-down dealing with a huge emotional wrench. That means no writing and no writing means no income - maybe further down the line, but it will be felt.
A lot of the reasons above are why many writers keep day jobs, whether part or full time, long after they publish and sometimes for the life of their writing careers. It's something to consider.
Of course a lot of the above can be off-set by that gushing fan letter the writer receives or the really nice royalty check that shows up at the end of a reporting period.
There's a lot to think about in being a freelance writer of any type. Or, sometimes, nothing to think about because it's your passion and you're determined to write and work out the details as you go along.
Did I give you something to think about? I hope so. Feel free to post your thoughts below.
Tuesday, June 12, 2012
Saving The Distracted Writer
A writer's life s not an easy one. It's full of distractions and trials. Frequently we have to have a job and write at the same time, not to mention family obligations. And how is one to write when there are so many other distractions out there in the world just ready to leap at you from the dark corners - or even out in broad daylight?
Hmmm. Well, there are a lot of things a writer can do. Some of them are as basic as self-discipline. Dirty words, I know. But as a writer you're going to have to find ways to focus, move forward, put aside distractions and write. Easier said than done, right?
Yep, been there done that - a lot - for a long time - even before all the new distractions the web, email, iPhones, etc. present.
So here are a few ideas to help you along - to keep you focused.
Hmmm. Well, there are a lot of things a writer can do. Some of them are as basic as self-discipline. Dirty words, I know. But as a writer you're going to have to find ways to focus, move forward, put aside distractions and write. Easier said than done, right?
Yep, been there done that - a lot - for a long time - even before all the new distractions the web, email, iPhones, etc. present.
So here are a few ideas to help you along - to keep you focused.
1. If you commute, try to utilize that time to write. Get yourself a pair of noise cancelling headphone or just listen to some quite background music, sequester yourself away from people as best you can and write. Just write, don't edit. Your creative self races ahead of your more pedantic editing self, so get those ideas down on paper, your laptop, whatever. You can edit and clean it up later. Seriously.
2. Consider staying up late at night or getting up really early in the morning. I was up at 4:30 this morning and I don't go to an outside job. Husband had to go out of town on business this morning and left really early. I took advantage of the extra time to accomplish a lot. I'm so proud of myself! These times; early morning or late at night, are quieter times. Most folks aren't trying to reach you. Businesses aren't open. It's a great time to work uninterrupted.
3. Center yourself when you are writing. Take some time ahead of your writing time to collect some tools that will keep help you keep yourself focused. If you need to take notes a simple note pad, thus avoiding the distractions of the web might be good. If you can block that out you might like to try a program like Evernote - it's a free program, lets you take notes and keep track of them. There are others out there that are similar. There are other programs as well, designed to help you keep your focus. Ommwriter (downloadable program) is another with a few bells and whistles thrown in, but any text writer will keep you on track.
Oh, you might consider an actual physical, pocket edition of a dictionary and/or thesaurus to keep at your desk. If it's just a simple word you're looking up or you want a synonym web searching can prove to be a mighty distraction, luring you off onto all sorts of other things you'd like to investigate and breaking your focus. Pull back just a bit from the web - save that for when you want to actually be there, researching, playing, exploring.
4. Here's another thing and I've said this in a previous blog, it's better to write first - edit second. If you try to do both you're attempting to do two jobs at once and you're slowing yourself way down. On top of that, consider what you're doing. Are you really trying to clean your work up to that point or are you just stalling? Many writers are actually almost phobic about finishing their books. Anything to throw up self-imposed road blocks. Don't do that to yourself. Keep moving. All that little stuff, spelling, punctuation, rewording, can be done later. Get the ideas down and press forward.
So what are you going to do? Define your writing time, don't try to let the web do everything (sometimes a bit old fashioned can help as in a notebook), don't answer the damn phone or allow your time to be interrupted and use your self-discipline to press forward. A good idea, not written down, can be lost forever. Been there, done that to.
Keep writing - keep the momentum moving forward and let me know how you do.
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Wednesday, May 30, 2012
Writers Websites Wednesday - Editing Help
Auto Crit Editing Wizard is this week's Writer's Websites Wednesday post. This is a great help for all writers and especially new ones. Yes, I want to say up front I am an affiliate, however, I've used this editing software and what a help it is for improving your writing. It picks out often repeated words to bring to your attention, points out cliches and redundancies, makes you aware of slow pacing and dialog tags. It really does bring things to the writer's attention that need to be addressed, then it's up to you as the writer to decide on the fixes. An excellent way to get through that first edit.
And, here's the great part there are a variety of memberships available and one of them is free. It's a great way to test drive or to just use that as your editor help. If you chose a higher membership there is a yearly fee.
Definitely gives the writer a boost. Try it, you'll like it.
Tuesday, May 29, 2012
The Beginning Writer
I just read an article by a writer I normally appreciate and agree with on many levels. This time, I didn't.
Why?
The person in question was giving tips on how to get started in a writing career and how in order to begin the writer must not begin by writing books, but rather find other venues to begin with and to launch yourself. Things like writing for magazines, swimming through the frustration, moving forward, dealing with rejection, and more. Oh, and don't forget newspapers, she mentioned beginning writers write for newspapers.
Okay, now I'm not belittling her viewpoint as it is her own, but I don't happen to share it.
By now you all know I'm a writer of books - books, and well, more recently screenplays. And here's the thing. I went totally against her rule. I began writing by writing books. I didn't want to write anything shorter or to begin by writing articles or short stories for magazine. That wasn't me.
I took English courses in school, aimed at improving my writing. In high school and college I took English courses. And I did a lot of self teaching. I dug into things, found help where I needed it. Found ways to talk to other writers and I wrote.
I wrote a lot.
I wrote books. Novels. Fiction.
It seems a bit off the wall to me to take the position that a writer hasn't become a writer yet so therefore should begin writing with things that are not your forte or that bore you to tears.
Do you need to develop your writer's voice? Yes.
Do you need to have the tools to put forth your ideas in clear and proper language? Yes.
Magazines are fine IF you want to write for magazines. And, yes, it might help you to earn some bucks if you can write for magazines, or newspapers, or other venues to help boost your writing abilities.
BUT, that doesn't mean you should put your first writing love aside UNTIL you master the others. If books; writing fiction is your first love, then write.
After you've written, proof it, edit it and pass it to others to get input. That input may not always be good, but that is for you to decide. Should you get professional editing? Probably.
Here's the thing, from my personal experience, and I've published 15 books and optioned several screen plays, you must follow your joy. I've been side-tracked a number of times and have always regretted it.
One thing I have done though, is write for different genres, different venues such as articles, biography, even short stories, but most of that I did AFTER I'd had my book(s) published.
So here it is in a capsule.
You need to learn to write tight (screenwriting can really teach you that) and your own ability to cut, cut, cut.
Learn to write fast. This is one that really works for me. Might not for you so much. But the faster I write, the better. Editing comes later.
Learn to research well. Doesn't matter what you write, you're going to have to research sooner or later, most likely sooner. So realize you have to research and learn to do it well.
Learn to listen to an editor. Whether a pro you hire to edit and review your book or the one at the publishing house where you just sold your book. No, they're not out to get you or to make your life miserable. Generally they want to help you put out the best book you can. They're not always right, but they are always worth listening to. You can talk to them about your writing, really.
So, while having credits to show an editor is always good, it's doubtful a science fiction editor is going to do much more than glance in passing at your magazine article credits on gardening or cooking. Granted, those show you can write and meet a deadline, but they don't showcase your fiction writing abilities.
So, moral of this tale? For me it always has been and always will be, write what you love. Follow your joy. Oh, and if writing doesn't bring you the joy you thought it might when you started out, find something else you love. Writing should not be torture. Forgive yourself if you took a wrong turn. But if you love writing, then write what you love.
Why?
The person in question was giving tips on how to get started in a writing career and how in order to begin the writer must not begin by writing books, but rather find other venues to begin with and to launch yourself. Things like writing for magazines, swimming through the frustration, moving forward, dealing with rejection, and more. Oh, and don't forget newspapers, she mentioned beginning writers write for newspapers.
Okay, now I'm not belittling her viewpoint as it is her own, but I don't happen to share it.
By now you all know I'm a writer of books - books, and well, more recently screenplays. And here's the thing. I went totally against her rule. I began writing by writing books. I didn't want to write anything shorter or to begin by writing articles or short stories for magazine. That wasn't me.
I took English courses in school, aimed at improving my writing. In high school and college I took English courses. And I did a lot of self teaching. I dug into things, found help where I needed it. Found ways to talk to other writers and I wrote.
I wrote a lot.
I wrote books. Novels. Fiction.
It seems a bit off the wall to me to take the position that a writer hasn't become a writer yet so therefore should begin writing with things that are not your forte or that bore you to tears.
Do you need to develop your writer's voice? Yes.
Do you need to have the tools to put forth your ideas in clear and proper language? Yes.
Magazines are fine IF you want to write for magazines. And, yes, it might help you to earn some bucks if you can write for magazines, or newspapers, or other venues to help boost your writing abilities.
BUT, that doesn't mean you should put your first writing love aside UNTIL you master the others. If books; writing fiction is your first love, then write.
After you've written, proof it, edit it and pass it to others to get input. That input may not always be good, but that is for you to decide. Should you get professional editing? Probably.
Here's the thing, from my personal experience, and I've published 15 books and optioned several screen plays, you must follow your joy. I've been side-tracked a number of times and have always regretted it.
One thing I have done though, is write for different genres, different venues such as articles, biography, even short stories, but most of that I did AFTER I'd had my book(s) published.
So here it is in a capsule.
You need to learn to write tight (screenwriting can really teach you that) and your own ability to cut, cut, cut.
Learn to write fast. This is one that really works for me. Might not for you so much. But the faster I write, the better. Editing comes later.
Learn to research well. Doesn't matter what you write, you're going to have to research sooner or later, most likely sooner. So realize you have to research and learn to do it well.
Learn to listen to an editor. Whether a pro you hire to edit and review your book or the one at the publishing house where you just sold your book. No, they're not out to get you or to make your life miserable. Generally they want to help you put out the best book you can. They're not always right, but they are always worth listening to. You can talk to them about your writing, really.
So, while having credits to show an editor is always good, it's doubtful a science fiction editor is going to do much more than glance in passing at your magazine article credits on gardening or cooking. Granted, those show you can write and meet a deadline, but they don't showcase your fiction writing abilities.
So, moral of this tale? For me it always has been and always will be, write what you love. Follow your joy. Oh, and if writing doesn't bring you the joy you thought it might when you started out, find something else you love. Writing should not be torture. Forgive yourself if you took a wrong turn. But if you love writing, then write what you love.
Tuesday, May 22, 2012
Writing Up The Little Guys - Creating Authenticity In Your World
Our world is full or people, places and things. So should the world your writing creates. If you want it to feel real, to draw the reader in (and I know you do) then you have to write to create a living breathing world. Whether it's just down the street in your neighborhood or set in the distant reaches of space it is imperative that you fill in the details, make things real.
How?
Well for one thing, the world is full of 'walk-on' characters, people like waitresses, car mechanics, fast food servers, grocery check-out folks, bank tellers, pedestrians, security guards, cops, nurses - well, you get it. A good place to get a feel for this is the movies you like. Play a DVD or get a download online and pay attention to the background characters. Most are background, literally, you see them move around, but that's about it. A few sort of cause something to happen or have a line or two of dialog, but are not a focal point in the story so they do what they do and then move on. So with this in mind, remember your writing is going to reflect that as well.
You'll need to write in minor characters, sometimes important ones (as backdrop goes).
What about these people?
Well, they need no more than one or two lines of introduction. Probably they don't need names and just a bit of description is enough.
Focus on details.
Maybe the kid on the bicycle is skinny with a "TinTin" haircut and oversized jeans. Maybe the burger flipper is tall, skinny, wearing bright yellow and has dirty fingernails. The PTA mother could have flaming red hair and a temper to match. Maybe the baseball coach is revealed to be bald when he jerks off his cap and throws it into the dust in disgust.
You'll need to create these secondary characters with your writing so they form a backdrop for your main characters and don't steal the show themselves. They are actually more like 'things' than actual 'people' though of course they must be portrayed as real, not cardboard cut-outs.
All this means you need to strike a balance. Don't get carried away and write in too much punch for your minor characters. Through these characters give your readers taste of the environment they, and your main characters, occupy. Your minor character might even have a line or two of dialog, but what you're writing is to push the plot along.
And at times all you'll show through writing and words is a crowd scene, or a scattering of people with no real defining traits. More backdrop. If you're talking about a stadium full of people, a street scene or the opening run at Macy's bargain basement, you're not going to write descriptive passages about all the people occupying those scenes. Just the main characters and perhaps a minor character or two. The rest create a crowd and backdrop.
You might skim a couple of your favorite books with all this in mind and see how the writers of those books handled their lesser players. And if you'd like to read a bit more about creating minor characters click here. But again, the article is about writing minor characters - not the ones who fill your written crowd scenes.
How?
Well for one thing, the world is full of 'walk-on' characters, people like waitresses, car mechanics, fast food servers, grocery check-out folks, bank tellers, pedestrians, security guards, cops, nurses - well, you get it. A good place to get a feel for this is the movies you like. Play a DVD or get a download online and pay attention to the background characters. Most are background, literally, you see them move around, but that's about it. A few sort of cause something to happen or have a line or two of dialog, but are not a focal point in the story so they do what they do and then move on. So with this in mind, remember your writing is going to reflect that as well.
You'll need to write in minor characters, sometimes important ones (as backdrop goes).
What about these people?
Well, they need no more than one or two lines of introduction. Probably they don't need names and just a bit of description is enough.
Focus on details.
Maybe the kid on the bicycle is skinny with a "TinTin" haircut and oversized jeans. Maybe the burger flipper is tall, skinny, wearing bright yellow and has dirty fingernails. The PTA mother could have flaming red hair and a temper to match. Maybe the baseball coach is revealed to be bald when he jerks off his cap and throws it into the dust in disgust.
You'll need to create these secondary characters with your writing so they form a backdrop for your main characters and don't steal the show themselves. They are actually more like 'things' than actual 'people' though of course they must be portrayed as real, not cardboard cut-outs.
All this means you need to strike a balance. Don't get carried away and write in too much punch for your minor characters. Through these characters give your readers taste of the environment they, and your main characters, occupy. Your minor character might even have a line or two of dialog, but what you're writing is to push the plot along.
And at times all you'll show through writing and words is a crowd scene, or a scattering of people with no real defining traits. More backdrop. If you're talking about a stadium full of people, a street scene or the opening run at Macy's bargain basement, you're not going to write descriptive passages about all the people occupying those scenes. Just the main characters and perhaps a minor character or two. The rest create a crowd and backdrop.
You might skim a couple of your favorite books with all this in mind and see how the writers of those books handled their lesser players. And if you'd like to read a bit more about creating minor characters click here. But again, the article is about writing minor characters - not the ones who fill your written crowd scenes.
Play with it, have fun.
Wednesday, May 16, 2012
Writers Websites Wednesday - The Other Side Of The Story
I stumbled across Janice Hardy's blog, The Other Side Of The Story the other day and I must say, I like it. She offers over 500 articles on writing fiction along with online resource links, guest posts and of course info about her and her books. Lots of tips and helps in those articles and guest posts. Definitely worth a look.
Thursday, May 3, 2012
Writers Websites Wednesday - Writers Cafe
Yes, yes, I know, it's actually Thursday an I missed a post last week, but well, I was on vacation - away from computers and electronics. A very good break to take now and again.
So, for the one day belated post this week I offer Writer's Cafe. It offers publisher information for submissions, free writing classes, agent info, writing contests, and more. Wander around, check it out, see what you think. I believe you'll find some good stuff here.
Wednesday, April 18, 2012
Writers Websites Wednesday - UK's Open University
It's Open University in the UK. Explore the site, see what they offer. The link leads to Start Writing Fiction, but they offer more. Dive in. Look around. Lots to see.
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