Writers Websites Wednesday - Editing Help

Auto Crit Editing Wizard is this week's Writer's Websites Wednesday post. This is a great  help for all writers and especially new ones.  Yes, I want to say up front I am an affiliate, however, I've used this editing software and what a  help it is for improving your writing. It picks out often repeated words to bring to your attention, points out cliches and redundancies, makes you aware of slow pacing and dialog tags. It really does bring things to the writer's attention that need to be addressed, then it's up to you as the writer to decide on the fixes. An excellent way to get through that first edit.

And, here's the great part there are a variety of memberships available and one of them is free.  It's a great way to test drive or to just use that as your editor help.  If you chose a higher membership there is a yearly fee. 

Definitely gives the writer a boost.  Try it, you'll like it.

The Beginning Writer

I just read an article by a writer I normally appreciate and agree with on many levels.  This time, I didn't.

Why?

The person in question was giving tips on how to get started in a writing career and how in order to begin the writer must not begin by writing books, but rather find other venues to begin with and to launch yourself.  Things like writing for magazines, swimming through the frustration, moving forward, dealing with rejection, and more.  Oh, and don't forget newspapers, she mentioned beginning writers write for newspapers.

Okay, now I'm not belittling her viewpoint as it is her own, but I don't happen to share it. 

By now you all know I'm a writer of books - books, and well, more recently screenplays.  And here's the thing.  I went totally against her rule.  I began writing by writing books. I didn't want to write anything shorter or to begin by writing articles or short stories for magazine.  That wasn't me. 

I took English courses in school, aimed at improving my writing. In high school and college I took English courses.  And I did a lot of self teaching. I dug into things, found help where I needed it.  Found ways to talk to other writers and I wrote.

I wrote a lot.

I wrote books. Novels. Fiction.

It seems a bit off the wall to me to take the position that a writer hasn't become a writer yet so therefore should begin writing with things that are not your forte or that bore you to tears. 

Do you need to develop your writer's voice?  Yes. 

Do you need to have the tools to put forth your ideas in clear and proper language?  Yes.

Magazines are fine IF you want to write for magazines.  And, yes, it might help you to earn some bucks if you can write for magazines, or newspapers, or other venues to help boost your writing abilities. 

BUT, that doesn't mean you should put your first writing love aside UNTIL you master the others.  If books; writing fiction is your first love, then write.

After you've written, proof it, edit it and pass it to others to get input.  That input may not always be good, but that is for you to decide.  Should you get professional editing? Probably. 

Here's the thing, from my personal experience, and I've published 15 books and optioned several screen plays, you must follow your joy. I've been side-tracked a number of times and have always regretted it.

One thing I have done though, is write for different genres, different venues such as articles, biography, even short stories, but most of that I did AFTER I'd had my book(s) published.

So here it is in a capsule.  

You need to learn to write tight (screenwriting can really teach you that) and your own ability to cut, cut, cut.

Learn to write fast.  This is one that really works for me.  Might not for you so much.  But the faster I write, the better.  Editing comes later.

Learn to research well. Doesn't matter what you write, you're going to have to research sooner or later, most likely sooner. So realize you have to research and learn to do it well.

Learn to listen to an editor.  Whether a pro you hire to edit and review your book or the one at the publishing house where you just sold your book. No, they're not out to get you or to make your life miserable. Generally they want to help you put out the best book you can. They're not always right, but they are always worth listening to. You can talk to them about your writing, really.

So, while having credits to show an editor is always good, it's doubtful a science fiction editor is going to do much more than glance in passing at your magazine article credits on gardening or cooking. Granted, those show you can write and meet a deadline, but they don't showcase your fiction writing abilities.

So, moral of this tale? For me it always has been and always will be, write what you love.  Follow your joy.  Oh, and if writing doesn't bring you the joy you thought it might when you started out, find something else you love. Writing should not be torture. Forgive yourself if you took a wrong turn. But if you love writing, then write what you love.

Writers Websites Wednesday - Dropbox

As writers we write a lot of stuff. We also have things we want to protect like photos, scanned contracts & more.  So what do we do if the computer crashes and takes everything with it?  Cry? 

Before that happens you might check out Dropbox.  This is a little tour to give you the scoop on what it's all about - online storage, but more. You can share, sync up with phones, etc. Basic is free, but if you need more space you can earn it by referring others to their site or purchasing more space.  Worth a look.

Writing Up The Little Guys - Creating Authenticity In Your World

Our world is full or people, places and things. So should the world your writing creates. If you want it to feel real, to draw the reader in (and I know you do) then you have to write to create a living breathing world.  Whether it's just down the street in your neighborhood or set in the distant reaches of space it is imperative that you fill in the details, make things real.

How?

Well for one thing, the world is full of 'walk-on' characters, people like waitresses, car mechanics, fast food servers, grocery check-out folks, bank tellers, pedestrians, security guards, cops, nurses - well, you get it. A good place to get a feel for this is the movies you like. Play a DVD or get a download online and pay attention to the background characters. Most are background, literally, you see them move around, but that's about it.  A few sort of cause something to happen or have a line or two of dialog, but are not a focal point in the story so they do what they do and then move on.  So with this in mind, remember your writing is going to reflect that as well.

You'll need to write in minor characters, sometimes important ones (as backdrop goes).

What about these people?

Well, they need no more than one or two lines of introduction. Probably they don't need names and just a bit of description is enough.

Focus on details.

Maybe the kid on the bicycle is skinny with a "TinTin" haircut and oversized jeans. Maybe the burger flipper is tall, skinny, wearing bright yellow and has dirty fingernails. The PTA mother could have flaming red hair and a temper to match. Maybe the baseball coach is revealed to be bald when he jerks off his cap and throws it into the dust in disgust.

You'll need to create these secondary characters with your writing so they form a backdrop for your main characters and don't steal the show themselves. They are actually more like 'things' than actual 'people' though of course they must be portrayed as real, not cardboard cut-outs.

All this means you need to strike a balance. Don't get carried away and write in too much punch for your minor characters. Through these characters give your readers taste of the environment they, and your main characters, occupy. Your minor character might even have a line or two of dialog, but what you're writing is to push the plot along.

And at times all you'll show through writing and words is a crowd scene, or a scattering of people with no real defining traits. More backdrop. If you're talking about a stadium full of people, a street scene or the opening run at Macy's bargain basement, you're not going to write descriptive passages about all the people occupying those scenes. Just the main characters and perhaps a minor character or two. The rest create a crowd and backdrop.

You might skim a couple of your favorite books with all this in mind and see how the writers of those books handled their lesser players. And if you'd like to read a bit more about creating minor characters click here.  But again, the article is about writing minor characters - not the ones who fill your written crowd scenes. 

Play with it, have fun. 

Writers Websites Wednesday - The Other Side Of The Story

I stumbled across Janice Hardy's blog, The Other Side Of The Story the other day and I must say, I like it. She offers over 500 articles on writing fiction along with online resource links, guest posts and of course info about her and her books. Lots of tips and helps in those articles and guest posts. Definitely worth a look. 

Writing Your Novel - Tormenting Your Hero

It's a lovely, sunny day after much needed rain so what could be a better writing topic to discuss than tormenting your hero?

We all know that every hero needs an adversary - the "anti-hero". That pretty much goes without saying. But there's more to tension and a good story than the good guy vs. the bad guy slugging it out. There are all those other characters - sort of like the family members you might like to forget.

Think about all the books you've read and for that matter, the movie's you've seen. There are all sorts of things going on in the background that add zest to the story and there's usually that character, a good-guy character, who drives your hero or heroine nuts, inadvertently puts obstacles in his or her path, pushes their buttons, and is generally a pain for the hero/heroine to deal with, yet can be a best friend, a close relative, a meddling co-worker or any other of a thousand possibilities.

This isn't the villain, the bad-guy character, but might be a side-kick or perhaps even simply a thickheaded character as in someone in authority above the hero who cannot be convinced to the hero's cause and ends up being deliberately obstructive.

Some examples of more prickly characters to torment your hero might be a superior police officer who takes the hero off the case. Or it could be a senior reporter who won't pass along story details because he or she doesn't want the junior reporter to get the credit for a story or in politics it might be an elected official who stops an investigation that would put the folks who bought and paid for him in jeopardy. These aren't the hero's buddies, but they aren't the villain (though they can be nasty) and they most certainly serve the same purpose - distraction, tension, obstacles.

Or, if it's not a character deliberately trying to side-track the hero as in the above paragraph, it might be a friend who's always in the wrong place at the wrong time putting him or herself in jeopardy or  working at cross-purposes with the hero's intent, meaning no harm, but serving his or her own purpose. Writing these characters into your novel can create all kinds of interesting problems complicating the story by throwing up all sorts of roadblocks to the hero's progress. It can create amusing an/or deadly situations.

Whichever way you want to go, whether an overbearing authority figure throwing in 'monkey wrenches' or a more 'loveable side-kick" type remember when you begin to develop the character, it needs to be one in a position to annoy, get in the way, thwart and generally be a royal pain. With that kind of a character in the story, a sort of friendly adversary, your hero gr heroin will get plenty of chances to struggle, verbally spar and generally showcase his or her ingenuity and the stuff from which he or she is made.

Oh, and remember when writing your story, don't allow room for character confusion regarding your lesser characters. Take things as they come, don't try to throw too many characters at your reader at once. Don't refer to one character by several different names and when introducing a character for the first time give the reader his or her whole name. Then writing can proceed with just calling that character by one name, the one you stick with all the time.

Got the basics?  Okay then, go out there and torment your hero!

Writers Websites Wednesday - Dumb Little Man

Okay,  Dumb Little Man isn't only a writer's site - it's an everyone site.

I like the writing and I like the helpful tips for life. Read 3 Easy Ways to Improve Your Brainpower and check out the others. He promises to weekly provide tips that will save money, increase productivity or simply keep you sane.  Let me know if you like it too. 

I don't think he's so dumb...